Genis Carreras erklärt komplexe philosophische Theorien mit einfachen Formen und Farben. Design bestimmt das Bewußtsein oder so ...
(via Coudal)
Faced with sky-high property prices, living underground is often the only option for this legion of low-waged migrant workers, who make up one-third of Beijing’s estimated 20 million people. Waiters, karaoke hostesses, hairdressers, chefs, security guards, domestic workers and kitchen helpers, these basement dwellers are the backbone of Beijing’s service industry. But they have been unkindly dubbed the “rat tribe” for making a home in Beijing’s 6,000 basements and air raid shelters -- about one-third of the city’s underground space. They pay monthly rents of 300 to 700 yuan ($50 to $110) for partitioned rooms of seven to eight square meters, or sometimes, a closet-like space barely wider than a single bed. Some 50 to 100 rooms often share a single bathroom and several toilet cubicles. A chilly draft filters through the tunnels, which are also often dank and moldy in the summers ... To me, they tell the broader story of a China on the move, of the world’s biggest tide of migration, and of a generational shift to an urban income and lifestyle. Curious about this underworld, I started photographing it in 2010. If I went into it hoping to document the tough and musty lives these migrants lead, I’ve also been inspired by their spunky fighting spirit and life-affirming aspirations.(via Framework)
From Dirty Harry to Andy Warhol, guns continue to fascinate. From Guns N' Roses to guns and butter, they're potent metaphors in today's pop culture. And what's a gun without a bullet? Taking a cue from the cultural zeitgeist, I began thinking about "The Big Bang" after seeing a sales display of bullet-proof plexiglas that had projectiles embedded in it. The plexiglas captured the fragmentation of the bullets and provided a visual record of the energy released on impact. As I began to explore this concept further, I also was intrigued by the psychological tension created between the jewel-like beauty and the inherent destructiveness of the fragmented projectiles. Many of the images resemble exploding galaxies, and visions of intergalactic bling sublimate the horror of bullets meeting muscle and bone. In fact, Susan Sontag described the camera as "a sublimation of the gun" -- load, aim and shoot. My interest in the project grew out of the pervasiveness of guns as cultural symbols and America's long-held affection for guns as part of the country's heritage. This seems particularly relevant in Texas where it's estimated that there are 51 million firearms -- two guns for every man, woman and child in the state. Professionals in law enforcement at the Public Safety Institute at Houston Community College fired the shots into the plexiglas used in the series. The photographic images were made in the studio -- well after the gunshots were fired.
"Hamburg´s garbagemen portrait their city in the Trashcam Project - with their garbage containers. Standard 1.100 litre containers are transformed to giant pinhole cameras. With these cameras the binmen take pictures of their favourite places to show the beauty and the changes of the city they keep clean every day. The Trashcam Project was developed by Christoph Blaschke, Mirko Derpmann, Scholz & Friends Berlin and the Hamburg sanitation department. Special thanks to Hamburg based photographer Matthias Hewing for his professional advice and the challenging lab work with the giant negatives." The Trashcan Project(via Jeriko)
It's made for TEDxSummit, an unprecedented gathering of TEDx organizers from around the world-- and the video celebrates "the power of x" to multiply great ideas.
Gladstone = Gustav Gans
Uncle Scrooge = Onkel Dagobert
The Beagle Boys = Die Panzerknacker
Magica = Gundel Gaukeley
"Juvenile-In-Justice documents the placement and treatment of American juveniles housed by law in facilities that treat, confine, punish, assist and, occasionally, harm them. The project includes photographs and interviews with over 1,000 juveniles and administrators at 100+ facilities in 30 states in the U.S, as well as facilities in Canada and Mexico. The children’s identities are always concealed, either by photographing them from behind or obscuring their faces. America’s heavy reliance on juvenile incarceration is unique among the developed nations of the world. Approximately 90,000 young people are in detention or correctional facilities every day in the United States. The project documents group homes, police departments, youth correctional facilities, juvenile courtrooms, high schools, shelters, Montessori classrooms, CPS interview rooms, and maximum security lock-down and non-lock-down shelters, to name a few ... Prior to Juvenile-in-Justice, there was no comprehensive directory of images cataloging the American juvenile justice system. This project is now the primary source for these images, all of which are made available to facilities, advocates, and non-profits ... My products are unbiased photographic and textual evidence of a system that houses more than 100,000 kids every day"(via Raw File)
The HUBOs are operating autonomously (not human-controlled). Their movements are directed by student-developed software to perform the gestures necessary to produce the appropriate notes and beats as dictated by a musical score. Every sound in the video was performed by the robots. MET-lab student Matthew Prockup created the musical arrangement for drum kit and three "Hubophones", novel percussion instruments designed and constructed by the lab for this performance. HUBO was designed and developed by the Korea Advanced Institute of Technology (KAIST) Hubo Lab (Dr. Jun Ho Oh, Director) ...
A collection of pie charts depicting the ingredients in thirteen delectable pies. Data meets design meets delicious.(via THD)
“Vom Bleiben“ in collaboration with Daniel Schulz, documents the moment in which the night at the techno club is over and the visitors have left the location. It is the moment in which the traces of the event become visible. The cleaning-lights illuminating the room evoke a sense of awakening in the visitors. When the clubs close at daytime, we enter their rooms and the battlefield that has been left behind. As soon as the last visitors have left and the cleaning-light has been turned on, we start to photographically record the present scene and atmosphere. The moment before everything is put back in order exists only for a short time. Due to the long exposure time technically required, we artificially extend this moment, the time of exposure matching real time. We have set ourselves the task to document the often only temporary existence of techno clubs over a longer period of time.(via KFMW)